Professional Wedding Photography - To hire or not to hire?

A few weeks ago, bad wedding photography hit the headlines when Marc and Sylvia Day successfully sued 'Fresh Images', and rightly so - if reports are to be believed the service they received would put any respectable photographer to shame. I'm sure any photographers reading this will agree that shooting a wedding is never easy, and as with all photography, very often subjective. Wedding photography ranges from the most traditional, static picture album, to a wondrous display of modern creativity, and while some young brides will relish in a 'trash the dress' session, others might be sickened at the thought of even splashing their gown with rain water.

Sadly the Day's story is not unique, and a quick Google of 'ruined wedding photography' or 'bad wedding photos' will soon bring up plenty of results to put the scares in any bride in waiting, it may even put some couples off hiring a professional photographer; after all, the range of quality digital cameras available now mean that you don't always have to get it right first time and even a budget digital SLR such as the Canon 1000D offers a good level of manual control. Of course a professional wedding photographer does more than just point and shoot with a Nikon compact. A good photographer will have the necessary people skills to make you and your guests feel at ease, they will know when to take appropriate shots and perhaps most importantly, they are distanced from the ceremony in a way that other guests may not be. He or She will scout out the best locations, used their skill to capture interesting shots, and come up with ideas for something a little different if that's what you require. There is a thin line between being bossy, and 'organising' people.

This article is split into two sections. The first relates to the client, and what they should expect from a photographer. Part two will follow soon, and that will be more of a 'I've being asked to provide wedding photography. HELP!' guide. OK, that makes it sound a little dramatic, maybe 'how to prepare to shoot a wedding' is a more appropriate title.

So why shouldn't I ask for wedding photography by a friend / family member?

Well maybe you should, Uncle Bob may know his way around a camera and even have taken some great photographs in his time, however asking guests to perform this significant role is putting them under pressure, and preparing for those vital shots means they may not be enjoying the day in a way you would want them too. Of course there is a flip side to this, as a photographer I have shot many weddings for friends and family and I quite enjoy it, however I've also shot plenty of weddings before and always retain a level of professionalism throughout the day (only to make a fool of myself dancing at the night reception).

Another common question that comes up when discussing weddings with the happy couple is 'Shall we ask other people not to take photos?'. Personally, I always recommend the exact opposite. Friends photographs may not have that professional feel to them, but as a photographer, you can only shoot one picture at a time, and this comes back to the other skills that a photographer is hired for. While we're organising a group photo, somebody else may take a shot that captures the spirit of that moment, a natural photograph of the day as it happens. Likewise, some people become very uncomfotable when a huge lens is pointed at them, but a friend with a digital compact or camera phone is such a common occurance they wouldn't think twice about pulling a pose.
You may even prefer some of your friends photos simply because they have captured a better smile in that fraction of a second we call shutter speed.

What should you look for in a wedding photographer?

First of all, think about your budget, very often the price will reflect an end product rather than an overall service. Many photographers will use a good quality digital SLR camera these days, but some traditionalists will still use film, including black and white. There use to be an argument of film over the quality of digital shots however in recent years digital SLRs have come a long way, and a 'digital darkroom' can easily transform an image into a black and white art piece when used by a professional.

You should also think about the style you want to achieve. Some photographers will have a unique style, whereas some may specialise in traditional albums. Do you want an 'arty' approach or a formal set up. Any decent photographer should be able to show examples of past work, and be willing to discuss what you want - and this will make it much easier for both parties on the day.
Extras to consider are also important. Do you want one photographer who may be cheaper, or do you want a group of photographers for a 'repotage' style all angles approach. One friend of mine approached a news photographer for their wedding photography as they loved the candid paparazzi views.

How about a wedding video?

Some photographers may offer a full fervice that includes video, or they may have trusted partners that can offer such a service. Like photography, videos are made to suit all different styles and budgets, with some outfits merely capturing the service, to a full days worth of footage edited to fit your perfect soundtrack. Personally I've never worked with a videographer so I'm unable to offer advice, but if you have experience here then feel free to leave a comment below.

How much of the day do you want to capture?

While everybody thinks about the family photos, many photographers will offer a 'full day' service, which means they'll be there to capture everything from the Bridal preparation, to the service itself, and then a repotage of the evening reception.

These are just a few of the things you need to consider, however the most important thing is to make sure you contact your photographer well in advance, and respect each other. They should have a good idea of how to guide you if you are unsure what to expect on the day, and you should also be comfortable with the service they provide. As a client it is important to remember that your photographer isn't a miracle worker - they can't control the weather and they can't fix bad hair days.

Have you had bad wedding photographs, or can you think of any tips I've missed for potential brides and grooms? Leave us your comments below.

Memory Card preview. Is bigger always better?

Wow it's been a busy month at Camera Wars. Aside from the day jobs and a little wedding photography on the side (more on that in the future)we've been been arranging the new site design and getting ready to add a page that quite a few people have emailed me about.

To put it simply, why are memory cards so expensive and what is the difference?

In the near future we'll have a guide to memory card types and speeds available, which should give you a good idea of what to spend and why you need it. For now, I'll give a quick mention to camera phones as these seem to be the most accessible. If you want to take pictures with your mobile, you don't need to pay scandalous prices in computer shops. Sure they may have special offers, but don't forget supermarkets are great for offers too, like the range micro SD cards available at ASDA. Just click the link to see what I mean.

The best thing about cards like this is they come with adapters that allow you to fit it into pretty much any modern card reader. The chances are you have one in your computer; and if your compact digital camera also takes SD cards, clipping it into the SD card adapter means you always have a handy backup. :)

Amazing sunset. Ideal picture opportunity

Last night I was walking home after a couple of post work drinks and couldn't help but notice the most awesome sunset. Of course I didn't have a camera with me at the time...that is until I remembered my trusty HTC Hero. I only got it recently and other than the occasional pub shot, never really used the camera, probably because I don't like cameraphones that much.

Better than nothing, I opened the digital camera app and clicked at the sky, and I have to say I was quite impressed with the results.

I remember the sky was a little more red, but the colour range displayed in the image is quite striking and makes for an atmospheric sky, with the silhouette of the houses below.

Maybe these cameraphones aren't so bad after all....

A Beginners guide to focal length, or camera zoom lenses.

Cameras – to zoom or not to zoom

Cameras come in all shapes and sizes, some zoom some don’t – but there seems to be a misconception that a zoom is just for one thing “getting closer to the action”, it’s not. Using the right zoom lens can dramatically change the picture, but first I think I need to just touch on a few terms

Explanation of a few terms…
A ‘zoom’ lens is a lens which can change its focal length, focal length (to put it simply) is how much it magnifies the image – if you “zoom in” you increase the focal length, “zoom out” decreases it, a wide angle has a low focal length and a telephoto has a high focal length.

So why is focal length important, and why did professionals prefer not to have zoom lenses?
Zoom lenses aren’t favoured by professionals too much, instead they prefer having a few “prime lenses” which don’t zoom – they typically are better quality and have higher “aperture”, but for most of us taking half multiple lenses with us isn’t really an option, and the quality of budget optics is often ‘up to the task’.

Focal length impacts on “depth of field” and also how dynamic an image is.
Longer focal lengths = less in focus (only the point you focus in will be sharp)
Shorter focal lengths = more in focus and more dynamic (3 dimensional) the image seems

It is also common for shorter focal lengths to distort the edges of an image, giving a curved and almost stretched effect. This isn’t usually noticeable if you’re going for a large panoramic skyline or street view, but can provide unwelcome changes to a close up subject.

Because of this, portraits typically look better with longer focal lengths, particularly if your subject has an unusually big nose, and landscapes look better with wider (smaller) focal lengths.

So for most people they want a zoom range, not just to get a bit closer to the action but also to impact the look of the photo itself, this is something a digital zoom or a touch up afterwards in Photoshop isn’t truly able to do.

So what do the numbers mean
There are two numbers that are used when describing lenses, and these seem to vary according to who is talking about it and the nature of the camera, it needs to be noted that the numbers will change according to the format, and digital and “film” cameras numbers aren’t quite the same.

Focal Length
24 or less = extreme wide, down to “fish eye”
28 – 35 = wide angle
35 = 70 = “standard” focal length
70+ = telephoto

3 X or some other number X zoom
Found when describing the majority of compact, or fixed lens cameras for the average consumer market, this is a measurement of how many times you can zoom in – a camera or lens that can zoom in from 20 to 100 would be a 5x zoom (5x20=100) common numbers at the moment are 3x, 5x all the way up to 12x zoom (sometimes even more). The bigger the number, the more you can probably zoom in.

It has to be stated that anything over than 12, is frankly a lot and you may find the quality of the camera is questionable at this point, it’s also wise if you do have a “long zoom” to make sure that you use it with good light or a suitable tripod / support.

Written by Gerry White

Making Digital Photography cheaper for your DSLR

Wow it’s been a busy couple of weeks at work, so apologies for being away. It seems a lot has been happening in the digital camera world too, with the Canon 7D digital SLR being the hot pre-order topic. A quick look at the specs show it to look like a fast little machine, but unlike its older brother the Canon 5D mark 2, it doesn’t feature a full frame sensor, settling instead for an APS-C, (about half the size). More on that when we get a chance to look into it properly though.

My big news from the week has to be the rediscovery of old m42 Pentax screw fit lenses. My supplier at Hilton photographic in Hull managed to get an adapter for my Samsung GX10 that allows you to fit the old style lenses and simply change any settings manually. Of course this means a little playing around to get use to it and I’ll be sure to post some results once we’ve had some better weather.

The GX10 DSLR, like the Pentax K10, allows you select on the camera body whether to use auto focus settings or manual, so it’s perfect for using these old lenses. Of course the other advantage is cost. Sure the screw fit lenses may not be as practical as their newer alternatives, but with a decent entry level macro lens from Sigma, or Tamron, costing several hundred pounds, being able to jump on Ebay and find the screw equivalent for around £50 is a bargain. Ideal for those situations where you might want to try a new kind of digital photography without the expense.

My Weekend with a Canon 1Ds MkII

Last weekend got off to a great start with a cheeky text. A friend had told me they could borrow a Canon 1Ds MkII Digital SLR from work and of course I jumped on this chance. After all, the Canon 1Ds mkII is one of the best Digital SLR Cameras on the market and it came complete with a Canon EF 50mm macro lens and a Canon EF 45mm Tilt Shift Lens. To those who are now puzzled a macro lens lets you get really close to little things, like bugs, while a tilt shift lens gives you a chance to get creative (or blurry depending who is giving you an opinion).


Also the timing couldn't have been better, with sunny blue skies meaning optimal photography conditions for hard contrasts and a chance to really capture some bright nature photographs. Of course, it wouldn't have been fair to leave my trusty Sansung GX10 at home (after all, not many Digital Cameras in that price range have the same features and quality), so I filled my camera bag with lenses and started outside. Driving out to the country I've never really looked at my surroundings in detail, so being on foot I took my time and eventually came to a small footpath which lead to a public bridalway. The views were fantastic, being able to see right over towards Leeds, and the hedgerows and plantlife meant the butterflies and other insects were out in full force. I excitedly prepared for my fist ever true macro shot.......a beautiful red emporer had settled just in front of me, almost as if posing for the camera....light meter....check...focus....check...press the shutter and.....it's gone.
Maybe next time.

Photography in the Summer time - Child portraits with a difference.

Yesterday saw the start of a weeks visit from my sister in law (also a keen photographer) and her 5 year old son. Other than the extra-early wake up calls I’m quite looking forward to spending some time with them. Children and family portraits are a great way to use your digital camera in ways that get the most out of your environment, not just the image quality. Show a roomful of doting parents two photographs of their child, one while they frown with hi-def clarity and artistic lighting, the other snapped on a camera phone, where the child is beaming at the lens, and I would be willing to gamble a quality macro lens they would choose the camera phone.
That’s not to say that all child portraits should be snapshots with little effort, and the British summertime is great for getting vibrant, full of life, shots that really make the child come to life and add that extra depth to an image. Take them to a park or a nearby bridleway while the sun is shining and a little lens flare can help to make the image a little more interesting. Disobey the rules and face towards the sun while your subjects run around and the resulting silhouettes can capture the magic of moving and playing.

A child’s natural curiosity and desire to learn as they play means the expressions they pull will be priceless. Imagine capturing the first time they see a butterfly, or that guilty, cheeky smile as they run up to give you a mud-covered hug! Kids aren’t afraid to get dirty, touch strange insects or explore under rocks, and this is when their personality could really start to shine.
Another favourite of mine is quite simple. Lie down with your camera! Too many people stand up, point their digital camera at a downward angle and click. Bringing the lens down to a child’s eye level can really add depth to an image and will help you frame that smiling face without a sunhat blocking the way.

If you’re lucky enough to have a digital SLR then don’t be afraid to play with the settings. Over exposing pictures isn’t always the best thing to do but tweaking the aperture to allow in that extra bit of light can really emphasise contrast and make your photos that little bit different.
Of course not every day is perfect, but summer sun can break through rainy clouds to provide some great backgrounds if you want to put a little more time into a child portrait. Site them on a windowsill and capture a reflection with the sun streaking through, or while raindrops are still fresh on the window.

I mentioned earlier that even camera phones can work well in summer, and this is because they’re fun and simple – everything that digital photography should be. On the beach, park or even indoors, the quality may not be as good but summer photos aren’t always about the print, they’re about the memories, and what better way to cheer yourself up in the dreary winter months than seeing the sun shining when you answer a call – all ready for next year’s summer photography fun.